Some scholars have posited the existence of a chapter between 1 and 2 which is now lost, which would have introduced some characters that as it stands now appear very abruptly.
It was written by Murasaki Shikibu at the end of the 10th century and tells about samurai and his values. The word "samurai" is derived from the ancient verb "Samurai" that means "to serve". Thus, the Samurai is a "soldier", "servant". Also, in some definitions, samurai is the Japanese knight.
The word "samurai" is derived from the verb "Samurau" which literally means: Samurai was not just a knight; he was like bodyguards of the daimyo, and at the same time, the servant in everyday life.
The most honorary position was as a keeper of the master's sword, but there were positions such as an umbrella keeper or morning water servant.
Bushido is the unwritten code of samurai's behavior in society, which is a set of rules and norms of "true", "ideal" warrior. Bushido, originally was interpreted as "the way of horse and bow", later started to mean "the way of the samurai, the warrior. Samurai has a big amount of values, but the main are: Personal heroism of a samurai, the thirst for heroism and glory should not be goals themselves.
All of these are subordinated to the ideology of the higher purpose, such as the idea of loyalty, which covers entire contents of public and private morality of a warrior. The principle of loyalty is seen in the devoted service to the overlord.
The loyalty to his lord makes Samurai to refuse from his personal interests. However, the fidelity of samurai doesn't mean the sacrifice of his conscience. The samurai's code of values doesn't teach him to renounce his beliefs even for the overlord, so when the lord demands actions that are inconsistent with the convictions of the samurai, he tries to convince the overlord not to commit the action, which is defaming the name of a noble man.
Speaking about loyalty, I should mention that Samurai should not only be a good son for his parents, but a good servant for his overlord. He shouldn't leave the master, even if the number of his vassals decline from a hundred to ten and from ten to one.
At the war, the faithful samurai is ready to go without fear on enemy's arrows and spears, sacrificing the life if needed. Fidelity, justice and courage are the three natural virtues of samurai.
Everything that was described above shows the main value of samurai, which is loyalty. In the story "The Twilight Beauty" we also see this feature of samurai whose name is Genji.
He is loyal to women whom he loves. He treats women with love, care and respect. One more example of loyalty, respect and noble manners from "The Twilight Beauty" is that when Genji asks the name of the woman, she doesn't say it, but just answers:Start studying chapter15 japan.
Learn vocabulary, terms, and more with flashcards, games, and other study tools. The Tale of Genji Essay - World History The Tale of Genji The Tale of Genji, not only had a huge impact on Japanese literature, it is considered to be the first novel ever written in .
Samurais Values In The Tale Of Genji English Literature Essay. "The Tale of Genji" is one of the greatest works in Japanese and world literature. It was created at the turn of X-XI centuries, in the era of rapid formation and flowering of Japanese culture.
Its author was a lady, known as Murasaki Shikibu.
Samurais Values INSIDE THE Story Of Genji British Literature Essay Posted at "The Story of Genji" is one of the biggest works in Japanese and world literature.
She was the author of the Tale of Genji (Genji monogatari), the first known novel; the diary, Murasaki Shikibu nikki (); and a collection of tanka poems. The daughter of the court official Fujiwara Tametoki, she sat in on the classical Chinese literature lessons that her brother received, in spite of the Heian traditions against higher education for women; therefore, skilled in both Japanese and Chinese.
I will attempt to point out, in this paper, that given the theme of success or failure, and the highly ironic writing style in The Tale of Genji, the image of the mother in this work is lso ironic, that is, it is not what it seems to be; it transgresses the boundaries of what might have been the real or non-fictional world of Heian Japan from which the work issues.